It should be pointed out, before the story of Giftland, Lokta paper and the generosity of my Nepali hosts is mentioned, that some things are done differently in Nepal. We in the West could learn a thing or two from them.
My final day of visiting people affected by the April 25th earthquake made for an uneasy embrace of what it means to be denied a Western middle class upbringing. I had one, these delightful children have an upbringing only in the sense that they are not living on the street.
The village of Barabesie, in the region of Sindapowlchuk, north east of the capital Kathmandu, was at the epicentre of the April 2015 earthquake. The village was flattened, almost destroyed. It’s people are resilient, they are rebuilding.
Kailash is an artist. When you are introduced to him he will say “hello, my name is Kailash, I am an artist.” You are left in no doubt. An artist he most certainly is, in demeanour, in the passion with which he talks about teaching others, creating works that speak to people and about letting the world know that Art can help change it.
A medieval village popular with tourists flattened by the April 2015 earthquake.
The first thing that springs to mind when one sees devastation like this is how hopeless the task of rebuilding appears to be. It’s not just the homes and the temples, it’s the lives, particularly in light of the knowledge that there is no one to help, no insurance and a mere token of government assistance. It’s left to those around you, your neighbours, your relatives, your village folk. In other words, your community.
Jay Nepal, which means “Victory Nepal”, is a motley arrangement of Nepalis and foreign backpackers who have banded together to help rebuild, or more correctly, in the first instance anyway, demolish Nepal.